Disney+, if you didn’t know, isn’t just for kids. With its ownership of the Lucasfilm brand and the Marvel titles, the streaming service also offers plenty of grown-up content in its bid to compete with Netflix and Amazon—and we’re not just talking movies. Since launching the service, Disney has used the name recognition of Star Wars and Marvel to launch scores of TV shows, from The Mandalorian to Loki. In the list below, we’ve collected the ones we think are the best to watch, from those franchises and beyond.

Want more? Head to our best movies on Disney+ list if you’re looking for movies, and our guides on the best shows on Netflix and best shows on Apple TV+ to see what Disney’s rivals have to offer. Don’t like our picks, or want to suggest your own? Head to the comments below and share your thoughts.

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Echo

Marvel’s newest series continues the studio’s recent trend of shining a spotlight on its fearless—and complicated—female characters. In this case, that character is Maya Lopez (Alaqua Cox), aka Echo, who is best known to audiences as a baddie from Hawkeye. But over the course of its relatively short five episodes, all of which are streaming now, we learn why Maya—one of the MCU’s few deaf characters—must reconcile the events of her past, and reconnect with her Native American roots, in order to confront the future she has created for herself. The series is already earning solid reviews, especially for the work of Hollywood newcomer Cox, who deftly manages to shoulder the weight of an entire MCU series.

Percy Jackson and the Olympians

Nearly 20 years after the release of the first book in Rick Riordan’s Percy Jackson series, this small-screen adaptation of that first title is being praised for how faithful it has remained to Riordan’s beloved words. Being a tween is hard enough, but for 12-year-old Perseus “Percy” Jackson (Walker Scobell) it gets even harder when he learns he’s the son of Poseidon, god of the sea, and that he has ، off his uncle, Zeus, who believes that Percy has stolen his thunderbolt. (And you thought having a zit was bad!) Fortunately for Percy there is Camp Half-Blood—a place where demigods like himself can learn to harness their powers and use them for good. It’s there that Percy learns the whole “with great power comes great responsibility” thing, and embraces it—even if he’d rather be playing video games with his friends.

Rewind the ’90s

The further removed people become from any particular decade, the more ridiculous that decade seems to become. And the ’90s are no exception, especially when you’re reminded that the government feared Furby of all things. This limited series from Nat Geo is a loving look back at the decade that made us dependent on the internet, introduced us to the Spice Girls, and made Fabio a ، symbol around the world. If you don’t know who Fabio is, you now have even one more reason to watch. (Full disclosure: WIRED’s culture editor, Angela Watercutter, is a talking head in this series.)

Doctor Who

For sci-fi fans, the holiday season is about one thing: new Doctor Who specials. In 2023, however, the rollout of those specials was a bit peculiar. Whereas previous seasons of the long-running BBC show are available on Max, the three new 60th anniversary specials—featuring fan favorites Catherine Tate and David Tennant (here playing the Fourteenth Doctor) plus Ncuti Gatwa’s debut as the new Doctor—are landing on Disney+ in the US. These new installments feature Tennant’s Doctor matching wits with the Toymaker (a scenery-chewing Neil Patrick Harris); Gatwa, meanwhile, is joined by Millie Gibson as new companion Ruby Sunday. Their official first season, which will also be streaming on Disney+ (outside of the UK and Ireland), will arrive later this year.

Behind the Attraction

Disneyland, Walt Disney’s very first theme park, opened up in Anaheim, California, in 1955. In the nearly 70 years since, Disney parks have become a worldwide phenomenon and inspired rabid fan bases who make annual (if not more frequent) pilgrimages to these so-called Happiest Places on Earth. But what goes on behind the scenes? From the creation of major attractions like the Haunted Mansion and Pirates of the Caribbean to its bustling food scene (Dole Whip, anyone?), this docuseries goes behind the scenes of the world’s most famous amusement parks.

JFK: One Day in America

November 22, 1963, will forever be remembered as one of the most traumatic days in American history. To commemorate the 60th anniversary of the assassination of US President John F. Kennedy, NatGeo assembled this fascinating three-part miniseries that relives that tragic day, as told by the people who witnessed it.

Goosebumps

For more than 30 years, R. L. Stine’s Goosebumps books have fed the nightmares of young readers—much to their delight (well, usually). Now Disney is ready to inspire a whole new generation of horror lovers with this fun series, which follows the lives of a group of high schoolers who begin to unravel the terrifying truth about a decades-old ،—and the roles their nearest and dearest might have played in it—in their otherwise picture-perfect hometown. The always-affable Justin Long stars as a teacher who may or may not be possessed.

Loki

The MCU is exhaustingly huge. Yet while Loki is undoubtedly part of that universe, the series could just as easily work as a stand-alone piece, and it’s all the more fun and surprising as a result. There are enough plot twists, silly one-liners, and time-travel antics to keep everyone entertained, and even a wisecracking alligator. If that doesn’t do it, Loki has a visual effects budget that would put most Hollywood blockbusters to shame. Sure, it’s not the most intellectually stimulating show out there, but Tom Hiddleston does a great job of turning Loki into a fairly complex, interesting character.

Daredevil

Before Disney+ became the home for all of Marvel’s TV content, Netflix was the place to find it—beginning with Daredevil, in which blind attorney Matt Murdock (Charlie Cox) spends his days seeking justice and his nights looking for revenge as a masked vigilante attempting to rid his Hell’s Kitchen neighborhood of its criminal element. While the series ended in 2018, Cox has reprised the role and is currently at work on a new series, Daredevil: Born Again, which will be a Disney+ exclusive when it arrives in 2024—hopefully (the reboot is in the midst of a massive overhaul).

Ahsoka

We know what you’re thinking: Wait, another Star Wars series? And we don’t blame you for asking the question. But for old-school franchise fans, Ahsoka just might surprise you. Rosario Dawson reprises the title role as Ahsoka Tano, a former Jedi who studied under Anakin Skywalker, which she first played in season 2 of The Mandalorian. Here, Ahsoka sets off on a journey to locate Grand Admiral Thrawn (Lars Mikkelsen, Mads’ brother)—a master manipulator who seems to be on a mission to become the grand ruler of the galaxy.

The Wonder Years

In 2021, writer-producer Saladin K. Patterson (Frasier, The Bernie Mac Show) rebooted the award-winning, and much beloved, series The Wonder Years for a whole new generation. Don Cheadle narrates the adventures of Dean Williams (Elisha “EJ” Williams), as he comes of age in Montgomery, Alabama, in the final years of the Civil Rights movement. Both seasons of the worthwhile series are now streaming.

Kizazi Moto: Generation Fire

While Black Panther may have gotten an official sequel with 2022’s Wakanda Forever (which is, of course, available to stream on Disney+), this animated anthology series is in many ways a spiritual successor to that Oscar-winning MCU flick. More than a dozen up-and-coming African storytellers were handpicked to write and/or direct these 10 short films, which build on the makers’ cultures and histories to paint a fascinating, gorgeously animated—and often dystopian—picture of Afrofuturism.

Never Say Never with Jeff Jenkins

It’s never too late to find your calling. Just ask travel journalist Jeff Jenkins, who had never even stepped on an airplane until the age of 20. Fifteen years later, Jenkins has certainly made up for lost time. And in this new adventure series, which will air simultaneously on National Geographic, Hulu, and Disney+, Jenkins is setting out to learn about the world and its many cultures through travel—and test his own limits. Because, as he explains on the series: “As a chubby Black guy, I don’t see a lot of folks who look like me exploring the world.” Jenkins’ enthusiasm for what he does is infectious.

Secret Invasion

From the moment it launched, Secret Invasion sparked conversation—although not for the reasons Marvel might have hoped. Turns out, the studio used artificial intelligence to create the show’s opening credits, a move that turned off some fans. Whether it’s curiosity about those Midjourney-looking visuals or general interest in what Nick Fury (Samuel L. Jackson) has been up to, Secret Invasion is worth a look. Captain Marvel costars Jackson and Ben Mendelsohn (Talos) team up again, and the show follows the two as they investigate a clandestine invasion of Earth by a shape-shifting alien race known as the Skrulls. If that doesn’t do it for you, you might want to tune in for Olivia Colman and Emilia Clarke’s first—though surely not their last—forays into the Marvel Cinematic Universe.

The Muppets Mayhem

As any Muppets fan will tell you, The Electric Mayhem Band is a highlight of any show the gang puts on. This time, Dr. Teeth and the gang are front and center, on a quest to record their first studio album with the help of an ambitious music executive, played by one-time YouTube star Lilly Singh. Get ready to rock.

A Small Light

While the story of Anne Frank is well known, the life of Hermine “Miep” Gies—Otto Frank’s secretary, and one of the five Dutch citizens who helped to hide the Frank family—is lesser known. This powerful NatGeo miniseries helps to change that, with Bel Powley delivering a moving performance as a young woman who takes a heroic stand, regardless of the consequences.

American Born Chinese

Oscar winners—and Everything Everywhere All at Once costars—Michelle Yeoh and Ke Huy Quan reunite for this Disney+ original series. Jin Wang (Ben Wang) is your typical teenager who’s just trying to get through the day of dealing with high school social hierarchies. But his life is forever altered when he’s asked to serve as a mentor to Wei-Chen (Jimmy Liu), a foreign exchange student who is hiding some pretty big secrets. Like that he’s actually on an otherworldly mission from the heavenly realm and has chosen Jin to serve as his guide. Part coming-of-age tale and part mythological fantasy, the series is a formidable adaptation of Gene Yang’s graphic novel.

Star Wars: Visions

For a franchise as varied and diverse as Star Wars, sometimes its output can feel a little same-y. That’s not the case with Visions. The point of the anthology series is to provide “all-new, creative” takes on the Star Wars universe. The first series, which premiered in 2021, featured nine installments from some of the best anime studios in Japan, including Kamikaze Douga and Trigger. The second anthology, which arrived in 2023, broadens the scope further, incorporating work from studios in India, Ireland, Spain, Chile, France, South Africa, the US, and the UK. If you’re looking for the best one-off tales from the Star Wars universe, look no further.

The Mandalorian

The Mandalorian was, and is, exactly what the Star Wars franchise needed. Everything about this Jon Favreau series feels like classic TV—from the episodic adventures to the cameos. Set in the outer reaches of the galaxy, it follows a moody, masked Mandalorian bounty hunter (WIRED cover star Pedro Pascal) and really delivers on the hype with its retro-futuristic robots, salty Space Western vibes, lack of Skywalker baggage, and, of course, Grogu (aka Baby Yoda). The Mandalorian really set the tone for what a great Star Wars series could be, and while not every subsequent show has been as good, others, like Andor, have lived up to the precedent it set—and proved Star Wars stories can make for great TV. There’s still no official word on a fourth season, but there is one more exciting adventure on the horizon: a movie, The Mandalorian & Grogu, which is set to begin production later this year.

Andor

Andor is something of a miracle. Created by Tony Gilroy, the filmmaker brought in to save Rogue One, it’s the origin story of one of that movie’s most beloved characters, Cassian Andor (Diego Luna). Set in the early years of the Rebellion, it charts Andor’s path to becoming one of the most integral of the Rebels. With a supporting cast that includes Fiona Shaw and Stellan Skarsgård, it also features a fantastic score from Nicholas Britell (Moonlight, Succession). After spending so much time with Mandalorians and Jedis, it’s a welcome reprieve and perhaps the closest thing to prestige TV the Star Wars universe has released yet,

Ms. Marvel

With Ms. Marvel, Disney manages to combine its knack for producing coming-of-age tween fare with its new role as caretaker of the MCU. Iman Vellani charms as Kamala Khan, an Avengers-obsessed high schooler from Jersey City who feels like an outsider in most areas of her life. But when a gold bangle arrives from her grandmother in Pakistan, Kamala begins to realize that all the time she’s spent fantasizing about what life would be like with superpowers might have been preparing her for real life. With one foot in the teen drama world and the other in the comic book universe, Ms. Marvel—which just happens to feature Marvel’s first Muslim superhero—marks yet another admirable step forward for the company in both innovation and inclusion. Vellani’s Ms. Marvel recently made the leap to the big screen; she can currently be seen starring alongside Brie Larson in The Marvels.

Star Wars: Young Jedi Adventures

If helping to raise a new generation of Star Wars geeks was even a small part of your reason for having kids, this brand-new animated series, which is basically the Star Wars version of Muppet Babies, is a great place to start their education. Set during the High Republic era, approximately 200 years before the events of The Phantom Menace, it follows a group of young Jedis—Jedi Lites—who are sometimes stumbling their way through learning the ways of the Force. Like any good kid series, it also teaches important lessons about life and making a positive difference in the world.

She-Hulk: Attorney at Law

Tatiana Maslany is no stranger to complicated characters (see: Orphan Black) or to playing more than one side of a single character (see again: Orphan Black). In She-Hulk, she gets to hone her deft skills even further while amping up the silliness of it all. Maslany plays Jennifer Walters, the cousin of Bruce Banner/The Hulk (Mark Ruffalo), with whom she shares that angry green gene. Ultimately, this turns out to be a boon for Walters—and the audience—when she is given the chance to head up a new branch at her law firm that’s dedicated to cases involving “superhumans” like herself. While Maslany could easily carry the show on her own (yet again, see: Orphan Black), an all-star supporting cast that includes Ruffalo, Jameela Jamil, Tim Roth, and Benedict Wong only adds to the fun and further cements the show’s place in the MCU.

Obi-Wan Kenobi

Ewan McGregor has not always had the kindest words for the Star Wars prequels in which he first played the role of Obi-Wan Kenobi—a role he inherited from Alec Guinness, who also had plenty of less-than-favorable things to say about the franchise. So it was somewhat surprising when Lucasfilm announced that McGregor would be donning his Jedi gear again to star in a stand-alone Star Wars series for Disney+. (Lucasfilm president Kathleen Kennedy has already said there will not be a second season.) In many ways, however, it allowed McGregor and former costar Hayden Christensen to course-correct some of their earlier work, as it follows a downtrodden Obi-Wan attempting to process his personal and professional disappointment over losing Anakin Skywalker (Christensen) to the Dark Side.

The Beatles: Get Back

In January 1969, just more than a year before they announced they were breaking up, the Beatles allowed a film crew unprecedented access to the creative process and recording of Let It Be, which would be their final studio album. Fifty years later, Oscar-winning director Peter Jackson was presented with the nearly 60 hours of film footage and more than 150 hours of audio that resulted from this project, and he remastered it and turned it into a three-part docuseries. Whether you’re already a Beatles fan or not, the documentary is a fascinating look at the creative process of one of the music world’s most influential bands as they work against the clock to finish recording an album, decide to have a free concert on their label’s rooftop, and occasionally ، heads. Knowing what the subjects do not know—that this will be the last time they perform live together or record an album—only adds to the project’s intimacy. The miniseries won all five Emmys it was nominated for, including Outstanding Documentary or Nonfiction Series.

Moon Knight

Oscar Isaac brings yet another marquee name to Marvel’s growing roster of all-star talents with Moon Night. Here, Isaac plays a man with dissociative identity disorder, giving us not one but three distinct characters: mercenary Mark Spector, British gift shop employee Steven Grant, and the mysterious—and seemingly ominous—Jake Lockley. Ultimately, he must face off against himself to get the answers he’s seeking. For Moon Knight, Isaac told Empire that he was thrilled to be able to do something “really ، nutty on a major stage”—and he delivers.

The Book of Boba Fett

As with The Mandalorian, Jon Favreau helms this Disney series, in which the criminally unsung bounty hunter of the Star Wars films finally gets his day in the sun. The series is technically a spinoff of The Mandalorian and takes place in the same time frame, after the events of Return of the Jedi. That explains why Boba Fett (Temuera Morrison) and his partner Fennec Shand (Ming-Na Wen) are attempting to take over the underworld previously controlled by Jabba the Hutt.

The Muppet Show

While The Muppet Show, which ran for five seasons between 1976 and 1981, is considered a piece of classic television today, it wasn’t always smooth sailing for creator Jim Henson. Henson produced two one-off Muppet specials that were intended to take the show into prime time, but neither came to fruition. Fortunately, the Muppets did have a recurring gig in “The Land of Gorch” sketches that aired during Saturday Night Live’s first season, which—when that became a hit—gave Henson proof that there was a potentially massive audience for an adult-oriented Muppet show (not to mention celebrity connections to entice plenty of A-list names to host). The rest is Muppet history.

The Punisher

The Punisher is yet another Netflix-turned-Disney+ Marvel series that also happens to be a spinoff of Daredevil. Like Daredevil, the Punisher (real name: Frank Castle, played by Jon Bernthal) is a vigilante who seems to relish exacting revenge, regardless of the results. He and Daredevil operate within the same universe, and while the Punisher sort of admires Daredevil’s quest for true justice, Daredevil despises the Punisher’s by-any-means-necessary methods. Bernthal brings an intensity to the role that, while undoubtedly violent, also has a sense of humor about it.

DuckTales

If you’re looking to recapture the magic of the original DuckTales, in which rich old Uncle Scrooge McDuck looks after his nephews Huey, Dewey, and Louie, the original cartoon (which ran from 1987 to 1990) is here. But so is the newfangled version, which features the same fun adventures and an all-star voice cast that includes David Tennant, Danny Pudi, Ben Schwartz, and Bobby Moynihan as Scrooge, Huey, Dewey, and Louie, respectively.

Boy Meets World

If ABC’s TGIF lineup wasn’t a part of your night as a kid, you clearly didn’t grow up in the ’90s. But Disney+ is happy to right that wrong by housing all seven seasons of the teen sitcom in its library. Corey Matthews (Ben Savage) deals with the ups and downs of growing up and ever-evolving relationships with friends and family—plus that one teacher, Mr. Feeny (William Daniels)—who always has the right answer to your problems, whether you like it or not. As the show progressed and the kids grew up, serious issues like drugs and ، were thrown into the mix, which didn’t always please the network. When the show aired on the original Disney Channel, a few episodes weren’t included in the lineup because of the more mature subject matter. You can also check out all three seasons of Girl Meets World, the series reboot (which features Corey as the parent and Mr. Feeny) when you’re done.

Jessica Jones

Just about six months after Daredevil arrived on the scene, Netflix took another chance on a Marvel property with Jessica Jones. In this dark dive into the world of superheroes, Krysten Ritter plays a private investigator who gave up her days as a superhero after a major catastrophe. But you can’t deny who you are, as Jessica discovers when it seems like every case that comes her way forces her to confront her past—and the supervillain Kilgrave (David Tennant), who turned her into a shell of her former self.

Hawkeye

Yet another in an ever growing string of spinoff TV shows from the Marvel Cinematic Universe, Hawkeye gives some long overdue attention to Jeremy Renner’s Clint Barton, who in many ways has often seemed like the forgotten Avenger. The supernaturally skilled archer is in most of the ensemble Avengers films, but this Disney+ series marks his first solo outing. The show sees Hawkeye teaming up with Kate Bishop (Hailee Steinfeld), a precocious twentysomething who shares his skills for slinging arrows but lacks his eye for danger. It’s set during the holidays, and there are shades of Die Hard as the eponymous character tries to save the day and make it home in time for Christmas. Let the arguments about whether it’s a Christmas TV show begin.

Monsters at Work

Monsters at Work is the Monsters, Inc. spinoff you didn’t know you needed. It picks up the action six months after the end of the iconic Pixar movie—after Sully and his friend and colleague Mike (a giant green eyeball) have reworked the Monstropolis energy grid to run on laughter instead of children’s screams. The show, which includes elements of a workplace comedy, premiered in the summer of 2021 and has a second season (presumably) coming later this year.

The Bad Batch

Yes, Disney really is milking its Star Wars properties for all they’re worth. The Bad Batch is an animated spinoff series set in the aftermath of the Clone Wars, between the prequel trilogy and the original trilogy in the overarching timeline. It follows a group of clone soldiers with genetic defects that give them individual traits and personalities, making them well suited to taking on daring mercenary missions. There are 16 episodes apiece in the first two seasons, with a third and final season scheduled to premiere in 2024.

WandaVision

This slow-burning sitcom parody is unexpectedly compelling. For the first couple of episodes, even hardened Marvel fans will have very little idea what’s going on, as Avengers Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) and Vision (Paul Bettany) live out an idyllic family life in black-and-white 1950s suburbia. Quickly, it becomes clear that something is wrong in the quiet town of Westview, as the world of the show ties into the wider MCU. Olsen reprises her role in Sam Raimi’s Doctor Strange sequel, Doctor Strange in the Multiverse of Madness, which picks up right after the events of WandaVision. Though there will not be a second season, fan-favorite Agatha Harkness (Kathryn Hahn) is getting a spinoff, Agatha: Darkhold Diaries, which is expected to drop in late 2024.

The Falcon and the Winter Soldier

After the surreal sitcom stylings of WandaVision, the second Marvel show to land on Disney+ covers more familiar ground. It’s an action-packed thriller that follows Bucky Barnes (Sebastian Stan) and Sam Wilson (Anthony Mackie) as they try to fill the void left by Captain America in the months after the events of Avengers: Endgame.

Star Wars Rebels

Accessible for kids and adults alike—and undoubtedly one of the best Star Wars TV series on Disney+—this animated series follows a group of rebels led by the former Jedi Kanan Jarrus (Freddie Prinze Jr.) and featuring his force-sensitive Padawan, Ezra Bridger (Ezra Gray). Fan favorite Ahsoka Tano (Ashley Eckstein) is another regular character across its four seasons, which do a neat job of fleshing out the time between the end of the prequel trilogy and the beginning of the original one.

The Simpsons

Have you got some time on your hands? Well, the 34 seasons of The Simpsons currently streaming on Disney+ should keep you busy. What can be said about one of the longest-running—and arguably most famous—animated TV shows ever made? While the first season is a little patchy by today’s standards, and there are ongoing arguments about when the show went from essential viewing to neglected cash cow, whatever your view, there are literally weeks worth of entertainment here.

X-Men: The Animated Series

If you really want to nerd out, this critically acclaimed animated X-Men series from the ’90s is worth a watch. In fact, the first two films in the live-action movie franchise drew heavily from this cartoon, which serves as a nice reminder of what can be done with rich source material.

Marvel’s Agents of S.H.I.E.L.D.

This seven-season series, which is for serious Marvel fans, revolves around S.H.I.E.L.D.’s less super agents, led by Agent Coulson (Clark Gregg). The first season takes a while to warm up, but it really hits its stride in its second and especially third seasons, and it eventually ramps up with a complex plot that ties into the films.

Agent Carter

Agent Carter is a better show than Agents of S.H.I.E.L.D., but it struggled to find an audience during its two seasons. Hayley Atwell reprises her role as Peggy Carter from several MCU films in this 1940s-set series, where she doubles as an agent for the US government while helping Howard Stark (Tony’s dad) out of more than one jam. The two seasons stretch to only 18 episodes, so it’s a quick watch, but one worth making the time for.

Star Wars: The Clone Wars

This is another Star Wars animated show worth seeking out, though it’s not to be confused with the equally worthy 2003 animated series Star Wars: Clone Wars from legendary Samurai Jack creator Genndy Tartakovsky. Both series deal with the period between Attack of the Clones and Revenge of the Sith and chronicle the rise of Anakin Skywalker from arrogant Padawan to powerful Jedi Master.

Inside Pixar

There’s a lot of behind-the-scenes content on Disney+. These are short clips that, in another age, would have been confined to the DVD extras menu. But this series of 20-minute documentaries on different Pixar movies offers a fascinating insight into the animated hit machine.

What If …?

Here’s an animated series based on one simple question: What if? The Watcher, played by Jeffrey Wright, is an extraterrestrial being who observes the multiverse, occasionally making minor changes to influence events. This series looks at how events in the Marvel movies would have turned out differently if they’d had a Sliding Doors moment. The first episode follows an alternate timeline in which Steve Rogers remains a scrawny sidekick and Agent Carter becomes a Union Jack-draped super soldier. Actors from the films reprise their roles, including Josh Brolin as Thanos, Chris Hemsworth as Thor, and Karen Gillan as Nebula. The second season arrived in late 2023.

Max (previously HBO Max) might be one of the greatest things to come out of the streaming revolution. No, this is not a paid promotion; it’s just simple logic, given that so much of television’s most compelling content of the past 25 years—from The Sopranos and The Wire to Game of Thrones and The Leftovers—originated on the “it’s not TV” network. So having one hub to find them all (including the aforementioned titles) makes good sense for both the network and binge-watchers looking to maximize their investment.

But HBO’s streaming arm has gotten into the original content game too, with highly acclaimed series like Hacks, Station Eleven, and The Staircase (the owl did it!). When you’re done rewatching some of the classics, here are our favorite shows streaming on HBO Max right now.

Looking for more recommendations? Head to WIRED’s guide to the best TV shows on Netflix, the best TV shows on Amazon Prime, the best TV shows on Disney+, and the best TV shows on Hulu.

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True Detective: Night Country

Did you take our advice and watch Deadloch and now you want more of that, but far darker and more creepy? We have just the solution: True Detective: Night Country. Truth be told, this anthology series has had a rough go. Following a wildly successful first season that crashed Max’s predecessor, HBO Go, and had everyone talking about how time is a flat circle, the series’ second and third installments failed to capture the same momentum. Night Country (premiering January 14) promises a return to form. It stars Jodie Foster and Kali Reis as a pair of investigators trying to uncover a conspiracy and solve a series of bizarre murders. Mysterious symbols are also involved. Yes, that’s pretty much the plot of every season of True Detective, but as with all of those previous iterations, the less you know going in, the better. Let it pull you in, and never let go.

Julia

In the nearly 20 years since her death in 2004, Julia Child has gotten the biopic treatment with Julie & Julia (2009) and was the subject of Julie Cohen and Betsy West’s documentary Julia (2021). In 2022, Happy Valley’s Sarah Lancashire stepped into Child’s toque to recount the earliest days of her career as a cookbook author and TV chef innovator, and it makes for one tasty dramedy. The series’ second season arrived in mid-November, with new episodes dropping weekly.

Rap Sh!t

Insecure impresario Issa Rae is the brains behind this laugh-out-loud comedy, which follows Mia Knight (KaMillion) and Shawna Clark (Aida Osman), two former high school friends and struggling rappers trying to make it on the Miami music scene. Ultimately, they decide to join forces to form a group, double their chances of success, and use social media as their launching pad—all with mixed results. As much as the series is about music, at its heart it’s really about the unending possibilities of youthdom and the beauty of women supporting women. Rap Sh!t’s second season premiered on November 9, giving you even more of the series to enjoy.

The Gilded Age

While it hasn’t made quite the splash that Downton Abbey did, Julian Fellowes’ latest period piece is just as decadent—and has really come into its own with its second season, which arrived in late October. In this case, the drama moves stateside to document the struggle between New York City’s old-money aristocrats and the ، new-money types attempting to infiltrate their social circles. There’s also plenty of the Upstairs, Downstairs-type drama that Fellowes is known for, with the servants who cater to Manhattan’s elite playing a big part of the story too. Somewhere in the middle of it all is Marian Brook (Louisa Jacobson), a young woman attempting to navigate a world she only belongs to by proxy. Christine Baranski, Carrie Coon, and Cynthia Nixon lead a stellar cast.

Starstruck

Jessie (Rose Matafeo) is a twentysomething New Zealander attempting to make ends meet as a nanny in London. One New Year’s Eve, she has a drunken one-night stand, only to sober up and realize she just slept with Tom Kapoor (Nikesh Patel), a major movie star. But what was presumably a one-off encounter turns into much more over time in this charming romcom series, which is a little bit like Notting Hill—only drunker. Starstruck’s third season dropped in late September.

Our Flag Means Death

Rhys Darby and Taika Waititi do what Rhys Darby and Taika Waititi do best as two very different kinds of pirates who cross paths in the 1700s. Darby plays Stede Bonnet, a fictionalized version of a very real member of the landed gentry whose version of a midlife crisis led to him abandon his family and hit the high seas for a swashbuckling adventure. Waititi, meanwhile, plays the infamous Blackbeard, who learns of Bonnet and seeks him out. What begins as a kind of mentorship eventually becomes the gay pirate action-comedy series you never knew you needed. There’s never been a better time to join the growing fandom.

How to With John Wilson

If Steven Wright and Nathan Fielder decided to create a YouTube channel of how-to tutorials on topics like putting up scaffolding and covering furniture in plastic, it might look a lot like How to With John Wilson. So it probably comes as no surprise that Fielder is an executive producer of the series, which follows Wilson as he attempts to uncover the secrets of such universal dilemmas as how to make small talk. Wilson’s surprising mix of earnestness and deadpan delivery make the series surprising, enlightening, and extremely strange.

Winning Time: The Rise of the Lakers Dynasty

John C. Reilly stars as Lakers owner Jerry Buss in a performance that would make Reed Rothchild, his Boogie Nights character, proud. This fast-paced period sports drama, which is based on Jeff Pearlman’s book Showtime, chronicles exactly what it promises in the title: the rise of the Los Angeles Lakers, who ruled the NBA throughout much of the ’80s—thanks in large part to owner Buss and rookie player Magic Johnson (Quincy Isaiah). Though it has been lauded by critics, Winning Time has seemed to fly oddly under the radar. This might explain why it was recently axed by HBO. But it’s still period filmmaking and high-stakes sports drama at its finest.

Project Greenlight: A New Generation

In 2001, just three years after Good Will Hunting made them bona fide Oscar winners, Matt Damon and Ben Affleck launched Project Greenlight, a competition that gave aspiring filmmakers the chance to make a real, live movie—which begat Project Greenlight, a reality series that chronicled the ups and downs (mostly downs) of that experience. While the competition was better known for the TV series it spawned versus the movies that it produced, it’s now more than 20 years later. And, as new mentors Issa Rae, Kumail Nanjiani, and Gina Prince-Bythewood quickly realize, it’s all still a bit of a nightmare. Gray Matter, the movie that was created from the competition’s rebirth, is also streaming on Max, so you can judge for yourself whether things are different this time around.

Full Circle

When a teen goes missing in New York City, the lives—and lies—of several seemingly unconnected characters find a way to intertwine in this twisty crime series from the mind of filmmaker Ed Solomon (Bill & Ted’s Excellent Adventure). What at first might seem like a straightforward story of two bereaved parents (Claire Danes and Timothy Olyphant) attempting to deal with the kidnapping of their son becomes much more complicated in the hands of Steven Soderbergh, who produced and directs all six episodes of this limited series, where nothing is what it seems.

Last Call: When a Serial Killer Stalked Queer New York

This four-part docuseries, based on Elon Green’s book Last Call: A True Story of Love, Lust and Murder in Queer New York, looks at the murders of several gay men in the early 1990s. Set against the backdrop of rising homophobia during the AIDS crisis, director Anthony Coronna’s doc talks to the family members of those killed and the LGBTQ+ community advocates who pushed law enforcement to investigate the deaths happening in their community.

The Other Two

Chasedreams (Case Walker) is a 13-year-old internet icon whose overnight rise to global stardom has become the sole focus of his mom (Molly Shannon). Chase’s older siblings, however, are having a much harder time finding success. Brother Cary (Drew Tarver) is an aspiring actor who can’t even land the part of “Man at Party Who Smells Fart,” while sister Brooke (Heléne Yorke) is just trying to figure out who and what she wants to be. All three seasons of the series, which was cocreated by former SNL head writers Chris Kelly and Sarah Schneider, are available to binge.

Barry

No one seemed particularly wowed when HBO announced that Bill Hader and Alec Berg were cocreating a series in which Hader would play a hitman with a conscience who attempts to go straight. But what might sound like a played-out trope has taken on new dimensions of humor, darkness, humanity, and plain old weirdness, with its recently concluded final season serving as a brilliant crescendo of all of that dark weirdness mixed in with a little time jump. Barry Berkman (Hader) is a traumatized marine whose newfound apathy toward the world and the very act of living makes him perfectly suited to work as a gun for hire. When a job takes him to Los Angeles, Barry stumbles upon an acting class led by Gene Cousineau (Henry Winkler, in what may be the role that finally supplants Fonzie as his most memorable), a failed but charismatic mentor. But transitioning back into the real world isn’t without consequences for Barry, who can spend an entire episode being hunted by a pint-size martial arts master. All four seasons of the Emmy-winning series, each one better than the next, are available to stream in full.

Love & Death

Elizabeth Olsen seamlessly transitions from part-time superhero to cold-blooded seductress in this retelling of the story of Candy Montgomery—a churchgoing wife and mother who turns murderous after having an affair with a fellow parishioner (the always excellent Jesse Plemons). If the plot sounds familiar, that might be because it’s based on the true story of a ، that took place in Texas in 1980. Or perhaps it’s because Hulu got there first with its own limited series, Candy, starring Jessica Biel as the femme fatale.

Succession

Media empires run by dysfunctional families may rise and fall, but we’ll always have Succession. The Emmy-winning series concluded its four-season run in early 2023, but its legacy as one of the most surprising pieces of prestige TV will be felt for decades to come (especially after what happened at Shiv’s wedding … then “Connor’s Wedding,” not to mention on the balcony or in the hand-hold seen ’round the world). At a time when TV shows about rich people, real or imagined, are in ample supply, Succession manages to stand out by being as bitingly funny as it is painfully tragic. The jet-black family dramedy chronicles the Roy family and the people/cronies/tall men who orbit them, all of whom seem to be angling for control of Waystar RoyCo, the family-run global media conglomerate—whether by succession (get it?) or more hostile means. Think of it as King Lear meets Rupert Murdoch’s News Corp., only funny. (Unless you’re invited to play a game of Boar on the Floor.)

The Last of Us

The Last of Us managed to succeed where Netflix’s Resident Evil (which was canceled after one season) and other live-action TV shows based on video games failed—by being really, really good. Craig Mazin (Chernobyl) and the video game’s original director, Neil Druckmann, cocreated the post-apocalyptic drama, in which one grizzled survivor (Pedro Pascal) is tasked with smuggling a smart-mouthed teenager (Bella Ramsey) who could be the key to finding a cure for the fungal infection-fueled pandemic that has turned most of America into zombie-like creatures. Props to everyone for generating so much interest in the (very real and parasitic) Cordyceps fungus—because fungi nerds like TV, too.

A Black Lady Sketch Show

In 2015, Robin Thede made television history when she was named head writer for The Nightly Show with Larry Wilmore—making her the first Black woman to hold the head writer position on a late-night talk show. Four years later, she revolutionized the TV landscape once again when she gathered up a group of her funniest friends—including Ashley Nicole Black, (future Abbott Elementary creator) Quinta Brunson, Gabrielle Dennis, and Skye Townsend—and created A Black Lady Sketch Show, the first sketch comedy written, produced, and starring Black women. The four-season series has brought such A-list names as Angela Bassett out as guest stars with its no-holds-barred humor, and the entire series is available to stream now.

Rain Dogs

Costello Jones (Daisy May Cooper) is an aspiring novelist and working-class mom who isn’t always successful at making ends meet for herself and her wise-beyond-her-years daughter, Iris (Fleur Tashjian). So Costello is regularly forced to call upon her violence-prone—but wealthy—gay best friend, Selby (Jack Farthing), to unstick them from whatever jams they’ve managed to get caught in. The series is billed as a black comedy, which it definitely is, although the moments between the levity are sometimes so dark and raw that even the frothiest bits carry weight. This darkly nuanced and sometimes surreal meditation on class, ،, dysfunction, and the varying definitions of “family” makes for a compulsively watchable series.

Abbott Elementary

Abbott Elementary creator/star Quinta Brunson (A Black Lady Sketch Show) has garnered all sorts of accolades with this ABC series and even managed to create streaming deals with both Max and Hulu. The surprise hit follows the lives of a group of teachers who are working at one of the most woefully underfunded public schools in America while doing their best to inspire students. Yes, it all sounds very earnest—and it is—but it’s also the kind of funny we don’t see much of on network TV anymore. The series has just two seasons under its belt but has already managed to rack up enough awards (Emmys, Critics Choice, Indie Spirit, and beyond) to fill a school trophy case.

The White Lotus

Knowing that Jennifer Coolidge stars in both seasons of The White Lotus (the only actor to move locations with the series) is reason enough for many people to tune in. While it was originally imagined as a one-off series from the brilliantly ،-up mind (in a good way) of Mike White—who cocreated the sadly overlooked Enlightenment with Laura Dern, another HBO show you should check out—it has since morphed into a full-on franchise. The series dives below the surface of the seemingly fabulous lives of deep-pocketed guests who can afford to stay at one of the five-star resorts of the title’s locations (first Hawaii, then Sicily, with Thailand scheduled for season 3), and the people who trip over themselves to serve their every need. Somewhere in between, ، always seems to end up on the menu.

I May Destroy You

Michaela Coel is a creative force of nature who delivered on what she promised with the title of this limited series, which she created, wrote, directed, and stars in. Arabella (Coel) is a Londoner living the millennial dream with a thriving writing career, thanks in part to her celebrity as a social media influencer. But Arabella’s Insta-perfect life begins to unravel when, after a night out with friends, she begins to recall—in fragments—being sexually assaulted. Eventually, the need to piece together exactly what happened to her, and who did it, consumes her completely and the past comes knocking at her door.

The Sex Lives of College Girls

Mindy Kaling cocreated this Max series, which puts a new spin on the teenage ، comedy—one in which the women are fully in charge. Nerdy Kimberly (Pauline Chalamet, yes, Timothée’s sister), aspiring professional funny person Bela (Amrit Kaur), snotty Upper East Sider Leighton (Reneé Rapp), and soccer star/senator’s daughter Whitney (Alyah Chanelle Scott) are four college freshmen randomly thrown together as suitemates. But as they get to know each other, and themselves, their forced cohabitation develops into a true bond—one in which there’s no such thing as TMI and a “، party” is just one way to unwind after a long week.

The Rehearsal

Good luck trying to explain what The Rehearsal is to anyone who isn’t familiar with Nathan Fielder’s mastery of uncomfortable comedy. What begins as a series in which the awkward star/comedian attempts to help people prepare for big moments in life by rehearsing them until they get it right quickly turns into a bizarre social experiment in which Fielder himself becomes one of the key players. The less you know about it ahead of time, the better. Just be aware that you’ll be encountering people who responded to a Craigslist ad to take part. For more of Fielder’s weird brilliance, all four seasons of Nathan for You—another kind of meta-comedy that will force you to repeatedly cover your eyes in vicarious embarrassment—are also streaming on Max.

Avenue Five

Bad timing may have led to the unfortunately early demise of Avenue 5, which had filming on its second season delayed, and delayed again, due to Covid-19. But the space-set comedy from the brilliant mind of Armando Iannucci, creator of Veep (another classic streaming on HBO Max), and its even swearier predecessor, The Thick of It, is well worth your time, if only to see what could happen when space travel inevitably goes wrong. Hugh Laurie stars as the “captain” of an interplanetary cruise ship, with Josh Gad playing the role of eccentric tech billionaire/huge baby Herman Judd, whose planned eight-week tour of the galaxy turns dire when a gravitational disaster steers the ship off course. The series gets more bonkers as it goes along, and ، plays a massive part in saving thousands of passengers and crew members. Consider yourselves warned—and feel free to laugh at the inanity of it all. Loudly.

The Righteous Gemstones

Danny McBride and HBO are the new Brangelina of television. First they teamed up for the hilariously offensive-for-offense’s sake Eastbound & Down; then there was Vice Principals. The Righteous Gemstones, which McBride created and stars in, is his latest effort to put forth a group of highly unlikeable people and find a way to make you like them even less but still want to keep watching. In this case, it’s a family of televangelists whose real god is greed and power. McBride assembled an all-star cast that includes John Goodman as the family’s patriarch, Adam DeVine and Edi Patterson as the Gemstone children, and national treasure Walton Goggins as Uncle Baby Billy Freeman—a child-star-turned-grifter who has given the series some of its most memorable quotes and moments. The black comedy just wrapped up its third season, making now the perfect time to catch up.

While Netflix seemingly led the way for other streaming networks to create compelling original programming, Hulu actually beat them all to the punch. In 2011, a year before Netflix’s Lilyhammer and two years before the arrival of House of Cards, the burgeoning streamer premiered The Morning After, a pop-culture-focused news show that ran for 800 episodes over three years, plus A Day in the Life, a docuseries from Oscar-winner Morgan Spurlock.

Hulu has continued to make TV history in the dozen years since, most notably in 2017, when it became the first streamer to win an Emmy Award for Outstanding Drama Series with The Handmaid’s Tale. In fact, that was just one of eight Emmys the series took home in its inaugural season, and it has continued to rack up nominations and wins over the years.

While more competition has popped up since Hulu started gaining critical credibility, the network has continued to stand out for its carefully curated selection of original series and network partnerships that make it the home of FX series and more. Below are some of our favorite shows streaming on Hulu right now.

Not finding what you’re looking for? Head to WIRED’s guide to the best TV shows on Amazon Prime, the best TV shows on Disney+, and the best shows on Netflix. Have other suggestions for this list? Let us know in the comments.

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The Bear

Even if you’ve never seen The Bear, you’ve undoubtedly heard about it (and had at least one person recommend it to you). The electrifying series, which premiered in June 2022, was all anyone could talk about last summer—and for good reason. Carmen “Carmy” Berzatto (Jeremy Allen White) is a superstar of the fine dining world who has returned to his hometown of Chicago to save his family’s struggling sandwich shop after the death by suicide of his brother. While Carmy initially struggles to acclimate himself to being home and to his inherited kitchen’s back-to-basics style, he eventually realizes that it’s not too late to change both himself and the restaurant. Anyone who has ever worked in a busy kitchen knows the stress that comes with it, and The Bear does an excellent job of making that tension palpable. While the plot sounds simple enough, much of Carmy’s previous life is a bit of a mystery, and it’s doled out in amuse-bouche-sized bits throughout the series. Now that The Bear’s highly anticipated second season—which features several A-list guest stars—is live on Hulu, it’s time to feast.

Fargo

Noah Hawley’s anthology series isn’t the first attempt to adapt the Coen brothers’ Oscar-winning crime-comedy to the small screen (Edie Falco starred in a previous version, which was a more straightforward adaptation of the movie), but his approach was clearly the smarter move. Fans of the Coens in general will find lots to love about the many nods to the filmmakers’ entire filmography, with each season covering a different crime and time period. Though the seasons do share connections, each one is a total one-off, and the show might boast the most talented group of actors ever assembled: Billy Bob Thornton, Martin Freeman, Bob Odenkirk, Oliver Platt, Ted Danson, Patrick Wilson, Nick Offerman, Kirsten Dunst, Jesse Plemons, Ewan McGregor, Michael Stuhlbarg, Carrie Coon, Scoot McNairy, Chris Rock, Jason Schwartzman, Timothy Olyphant, and Ben Whishaw are just a few of the names who’ve found a home in Fargo. The all-new fifth season—featuring Juno Temple, Jon Hamm, Jennifer Jason Leigh, and Joe Keery—premiered on November 21, with new episodes arriving weekly.

A Murder at the End of the World

Darby Hart (Emma Corrin) is a talented hacker and armchair detective who is one of eight guests invited to spend a few days at the stunning yet remote home of a mysterious billionaire (Clive Owen). When one of the guests ends up dead, Darby must work quickly to prove that it was ،—and who did it—before the bodies start piling up. Fans of twisty true crime will appreciate this limited series, which comes from the minds of Brit Marling (who costars) and Zal Batmanglij—cocreators of the equally mind-bending The OA.

Living for the Dead

“It’s all fun and games until someone gets possessed.” That’s tarot card reader Ken’s take on this twisty new reality series, which follows the paranormal adventures of a group of five ، ghost hunters. Kristen Stewart executive-produced the series, which has been described as gay Scooby-Doo but with better hair and laugh-out-loud observations, like being more terrified of the “horrific” bedspread than the clowns at Nevada’s infamous Clown Motel.

Moonlighting

While Die Hard turned Bruce Willis into one of Hollywood’s biggest action stars, he was far from producers’ first choice for the role of John McClane. That’s largely because he was seen as the funny guy from Moonlighting, the Emmy-winning ’80s dramedy that centers around the Blue Moon Detective Agency and its two often-bickering owners, David Addison (Willis) and Maddie Hayes (Cybill Shepherd). Over the course of its five seasons, the series racked up some serious critical acclaim and wasn’t afraid to experiment with the sitcom format.

Ash vs Evil Dead

The always-charming Bruce Campbell reprises his role as Ash Williams, the hero of The Evil Dead film series. Taking place 30 years after the events of the original films, Ash is now living a mundane existence alone (save for his pet lizard Eli), working as a stock boy at a local discount store, and attempting to prevent the Necronomicon from getting into the wrong person’s hands. Ultimately, Ash realizes that he’s ready to be a hero again.

The Other Black Girl

Sinclair Daniel shines as Nella Rogers, an up-and-coming book editor—and the only Black employee at the publishing house where she works. While Nella is initially thrilled when another young woman of color, Hazel-May McCall (Ashleigh Murray), is hired as an assistant, she can’t help but notice that a series of bizarre events seems to follow. As Nella tries to suss out exactly what is going on, she uncovers some pretty ، disturbing skeletons in her employer’s closet. While horror-comedies are an increasingly popular movie genre, we don’t see them on the small screen quite as often—which, if this clever series is any indication, is a real shame.

The Full Monty

Twenty-six years after a low-budget British comedy blew up at the box office, scored an Oscar, and introduced “the Full Monty” into the popular lexicon, the Regular Joes turned strippers from Sheffield are back to face largely the same issues they were lamenting in the original feature film. Much of the main cast reassembled for this follow-up to Peter Cattaneo’، 1997 movie. Stripping is involved, as are other inevitables in life, including breakups, reconciliations, and death. For fans of the original movie—or the Broadway musical and stage play that followed—it’s a fun check-in with the characters who bared it all.

The Office (UK)

Years before there was Jim and Pam and Dwight and Michael, there were Tim and Dawn and Gareth and David. For lovers of cringe, it’s hard to do better than Ricky Gervais and Stephen Merchant’s workplace comedy. David Brent (Gervais) is the original boss from ،, whose office antics will have you covering your eyes and laughing out loud at the same time. Like many British series, there are just two seasons—each consisting of a mere six episodes—plus a two-part Christmas special. Don’t be surprised if you sit down to watch a single episode and binge it all in one go.

Cheers

In the 1980s, NBC was the channel to watch on Thursday nights—in large part thanks to Cheers. The bar where everybody knows your name is where the action happens in this award-winning sitcom about a former Red Sox player (Ted Danson) and the lovable employees and patrons who treat his bar like a second home. If you can look past (or, even better, embrace) the questionable ‘80s fashion and sometimes-sexist storylines that wouldn’t necessarily fly on TV today, you’ll find what is arguably one of the smartest sitcoms ever written. More than 40 years after its original premiere, the jokes still stand up and the characters are some of television’s most memorable (and beloved) for a reason.

Justified: City Primeval

Few reboots have generated as much enthusiasm as this one, in which Timothy Olyphant reprises his role as no-nonsense US marshal Raylan Givens. Fifteen years older than when we last saw him in Justified, Raylan is now living back in Miami, helping to raise his teenage daughter Willa (played here by Olyphant’s real-life daughter Vivian) and still rocking a Stetson like no other actor ever could. But life for Raylan never stays quiet for long, and this miniseries sees him making his way to Detroit and facing off against a violent criminal known as the Oklahoma Wildman (Boyd Holbrook). Guns are drawn and wise is cracked in this limited series, with all eight episodes currently available to stream.

Dopesick

Back in 2021, Hulu went where Netflix’s Painkiller is currently going: to the late ’90s and early 2000s, aka the beginning of America’s opioid crisis. Danny Strong created this retelling of the lengths to which Richard Sackler (played here by the always excellent Michael Stuhlbarg) and Purdue Pharma would go to sell doctors on the powers of OxyContin—all with the promise of no addiction. Michael Keaton won an Emmy for his portrayal of a widowed doctor in Appalachia who buys into the lies, and eventually becomes a victim of them.

Futurama

In case you haven’t heard—which would mean you’ve not been reading enough WIRED—Futurama is back. Following a decade-long hiatus, Matt Groening and David X. Cohen’s animated sci-fi comedy has been successfully updated for 2023, complete with gags about Twilight Zone and “Momazon” drone deliveries. Now is the perfect time to dive back in—or watch it all for the first time.

Reservation Dogs

Taika Waititi and Sterlin Harjo cocreated this Peabody Award–winning series, which made history as the first mainstream TV show created by, starring, and crewed by an almost entirely Indigenous American team. It tells the story of four bored teens who are desperate to escape their lives on a reservation in Oklahoma. They decide that California is where they want to be and commit to a life of mostly petty crimes in order to save up enough money to leave. The series’ third, and final, season concluded on September 27 with a brilliant sendoff—and the whole series is available to watch now.

What We Do in the Shadows

In 2014, Jemaine Clement and Taika Waititi cowrote, codirected, and costarred in What We Do in the Shadows, a funny mockumentary featuring a group of vampires who share a home. This series, which premiered in 2019, moved the vampire action from New Zealand to Staten Island and brought in a whole new group of vampires—who struggle to even get up off the couch, let alone take over all of New York City (as they’ve been instructed to). In the show’s fifth season, which concluded in September, Nadja (Natasia Demetriou) recovers from a supernatural hex, energy vampire Colin (Mark Proksch) runs for office, and gentleman scientist Laszlo (Matt Berry) tries to figure out the secret behind the changes Guillermo (Harvey Guillén) is experiencing. If you haven’t been watching, now is the perfect time to tune in.

The Clearing

This twisty crime series—based on J.P. Pomare’s book—tells two parallel storylines: When a young girl is abducted, cult survivor Freya (Teresa Palmer) is forced to reckon with the traumas of her past. At the same time, we watch as a cult leader (Miranda Otto) perpetrates horrendous crimes against little girls. As you can probably guess, their stories eventually collide in surprising, and disturbing, ways.

Taste the Nation with Padma Lakshmi

“The gateway to another culture often happens first through food,” says Padma Lakshmi in the first season of Taste the Nation. That pretty much sums up this food show, made in the style of Parts Unknown and Bizarre Foods. Lakshmi makes for a compelling tour guide, and she doesn’t even need to leave the US to explore the cultures, and culinary delights, of Ukraine, Cambodia, Italy, and beyond.

Not Dead Yet

Nell Serrano (Jane the Virgin’s Gina Rodriguez) was a journalist living her best life in New York City until she put her career aside to follow a man to London. Five years later, she returns to NYC in the hopes of picking up where she left off—but finds herself having to start over. Struggles include being put on the obituary-writing beat, which leads to her seeing the dearly departed she’s writing about. Think of it as a funny The Sixth Sense.

Class of ’09

There are plenty of series about the FBI, including, erm, FBI. But Class of ’09 promises to be different. Set across three different timelines, it follows a series of bureau agents who “grapple with immense changes as the US criminal justice system is altered by artificial intelligence.” The Hulu-exclusive limited series features a stellar cast with some of the coolest-sounding character names to ever be introduced in a law-enforcement series: Brian Tyree Henry as “Tayo,” Kate Mara as “Poet,” and Sepideh Moafi as “Hour.” If you’ve been looking for an FBI series with a twist, your time has come.

The Great

Elle Fanning and Nicholas Hoult shine in this witty, fast-paced, comedic retelling (but not really) of Catherine the Great’s rise to power. Created by Tony McNamara, who earned an Oscar nomination for cowriting The Favourite, The Great offers the same combination of lush costumes and scenery mixed with a biting commentary on the world, and a woman’s place in it. A story that rings as true today as it did in the 18th century, when Catherine the Great became empress of Russia and brought about the Age of Enlightenment, this show, which dropped its third—and final—season in May, chips away at notions of class, propriety, and monarchical rule in a way few others do. If it’s historical accuracy you’re after, look elsewhere; the series’ creators describe it as decidedly “anti-historical” (which is part of the fun).

Tiny Beautiful Things

The reason to watch this eight-part limited series can be summed up in two words: Kathryn Hahn. A comedic juggernaut, Hahn can switch from funny to dramatic in the same scene, if not the same sentence. This talent is on display in Tiny Beautiful Things, where she plays Claire, a writer who takes up an advice column and pours all the traumas of her life into responding to her readers. Based on Wild author Cheryl Strayed’s collection of “Dear Sugar” columns, the vignettes here may be a bit out of sorts, but Hahn pulls them together.

Dave

Dave Burd is a comedian and rapper who goes by the stage name Lil Dicky. In Dave, Burd plays a rapper who goes by the stage name Lil Dicky and is attempting to raise his profile and make a much ، name for himself. If only his many neuroses didn’t keep getting in the way. While Dave could have easily turned into some mediocre experiment in meta storytelling, Burd—who cocreated the series, stars in it, and has written several episodes—grapples with some surprisingly touchy topics, including mental illness. And he does it all with a level of sensitivity and honesty that you might not expect from a guy named Lil Dicky.

Great Expectations

This latest adaptation of Charles Dickens’ novel isn’t so much a modern retelling—Alfonso Cuarón’s 1998 film this is not—as it is a fresh one. Starring Olivia Colman in the iconic role of Miss Havisham, this six-part series transforms the story of Pip, a young boy with dreams of an upper-class life, into a gothic tale that examines the moral compromises one must make to ascend in the world. Filled with stunning performances and a sleek look (or “try-hard edginess,” depending who you ask), it’s the perfect miniseries for fans of the novel—or viewers encountering Dickens’ classic story for the first time.

History of the World, Part II

Forty years after Mel Brooks’ History of the World, Part I, the comedy legend has assembled a who’s who of funny people for a new installment. Nick Kroll, Ike Barinholtz, Wanda Skykes, Jason Mantzoukas, Hannah Einbinder, and Quinta Brunson are just a few of the names in this collection of sketches. From Sigmund Freud to Rasputin to Jesus Christ, everyone gets a sendup—and a laugh.

Abbott Elementary

Quinta Brunson created and stars in this hit series, which follows the daily lives—in and out of the classroom—of a group of teachers at what is widely considered one of the worst public schools in America. Despite a lack of funding for even basic educational necessities, and school district leaders who only care about the barest minimum standards, these educators are united by their drive to surpass expectations and encourage their students to do the same. The show, which is prepping its third season, has already received a massive number of awards, including three Emmys.

Atlanta

Donald Glover proved himself to be a quadruple threat of an actor, writer, musician, and comedian with this highly acclaimed FX series about Earnest “Earn” Marks (Glover), an aspiring music manager who is trying to help his cousin Alfred Miles, aka Paper Boi (Brian Tyree Henry), kick off his musical career. They’re surrounded by a supportive crew of friends, including Alfred’s BFF, Darius (LaKeith Stanfield), and Van (Zazie Beetz), Earn’s close friend and the mother of his child. This makes it all sound like a fairly straightforward buddy comedy, but Atlanta is so much more. Even better: It’s weird. Glover is not afraid to experiment with storytelling, which is part of what makes the show so compelling.

Baskets

Zach Galifianakis stars alongside Zach Galifianakis as twin brothers Chip and Dale Baskets in this unexpectedly moving family comedy about an aspiring clown (Chip) who fails to graduate from a fancy clowning school in Paris and is forced to return home to Bakersfield, California, where he lives with his mother (the late Louie Anderson) and is constantly belittled by his higher-achieving brother (Dale). Between the dual role for Galifianakis and Anderson as the mom, it may sound like a cheap bit of stunt casting that can’t sustain more than an episode, let alone multiple character arcs. But if you’re a fan of absurdist comedy, Baskets truly ranks among the best of them. And Anderson, who won his first and only Emmy for his role as Costco-loving Christine, is absolutely transcendent. While it received a fair amount of critical acclaim, Baskets could rightly be considered one of the most underseen and underappreciated series in recent memory.

The Dropout

Amanda Seyfried won a much deserved Outstanding Lead Actress Emmy for her portrayal of the notorious Stanford dropout turned health care technology maven Elizabeth Holmes, who tricked some of the world’s savviest business minds into investing in her company, Theranos. While Holmes’ goal was altruistic enough—making health care more accessible to the masses via a device that could detect any number of diseases with little more than a single finger ، of blood—the technology wasn’t able to catch up. Rather than admit defeat, she kept pushing, making business deals and promises she could never fulfill.

Fleishman Is in Trouble

Taffy Brodesser-Akner created this series, based on her bestselling novel of the same name, which manages to tell a very specific story that is also universally relatable. Toby Fleishman (Jesse Eisenberg) is a recently divorced fortysomething hepatologist living in New York City. Things are looking up for Fleishman when he’s considered for a promotion and begins dipping his toe into the dating waters via an app. But then his ex-wife, Rachel (Claire Danes), disappears, leaving him with their two children. With the help of two of his best friends (played by Lizzy Caplan and Adam Brody), Fleishman realizes that it will take an honest deconstruction of his marriage to understand what happened to Rachel, and where she might be.

The Handmaid’s Tale

When Margaret Atwood wrote The Handmaid’s Tale in 1985, little did she know that its television adaptation would revolutionize the still-nascent world of original streaming content. And she may not have anticipated just how many parallels her dystopian classic would share with the real world at the time it was adapted into an award-winning television series. It’s set in an unnamed time in what is presumably the very near future, when the United States has been taken over by a fundamentalist group known as Gilead, under whose regime women are considered property and stripped of any personal rights. The most valuable women are those who are fertile, as infertility has become an epidemic, and they are kept as handmaids who are forced to take part in ، rituals with high-ranking couples in order to bear their children. Recognizing the power she wields, Offred, aka June Osborne (Elisabeth Moss), is not content to remain enslaved and sets about changing the rules as she seeks to reunite with her lost husband and daughter.

It’s Always Sunny in Philadelphia

If you thought the characters on Seinfeld were terrible people, wait until you meet the gang from Paddy’s Pub. For nearly 20 years, Dennis (Glenn Howerton), Mac (Robert McElhenney), Charlie (Charlie Day), Sweet Dee (Kaitlin Olson), and Frank (Danny DeVito) have unapologetically plotted against each other and total strangers in a series of completely self-centered schemes with absolutely no regard for the rules of civility. The show follows the “no hugging and no learning” rule Larry David established for Seinfeld, but elevates it to a new level of sociopathy. “Dennis and Dee Go on Welfare,” “Sweet Dee Has a Heart Attack,” “How Mac Got Fat,” “Dennis Looks Like a Registered Sex Offender,” “The Gang Turns Black,” and “The Gang Goes to a Water Park” are just some of the offbeat adventures awaiting viewers. In 2021, Sunny became the longest-running live-action sitcom in the history of television, and it shows no signs of slowing down—or taking it easy on its characters. It also happens to be one of the easiest shows to binge: Pop an episode on and, without even realizing it, you’ll be on to another season. Its 16th (!!) wrapped up in August—but there are at least two more on the way.

Letterkenny

What began as a web series is now a Hulu original that wrapped up its eleventh season in December. The show is a portrait of small-town Canada (the fictional Letterkenny of the title) and focuses on siblings Wayne (cocreator Jared Keeso) and Katy (Michelle Mylett), who run a produce stand with help from friends Daryl (Nathan Dales) and Squirrely Dan (K. Trevor Wilson). As is often the case in small-town series, many of the residents fall into specific categories—in Letterkenny, you could be a gym rat, a hick, a skid (their word for a drug addict), or a “native” (a member of the nearby First Nation reservation). But in contrast to many small-town series, these groups—and the individuals who comprise them—aren’t reduced to meaningless stereotypes.

Only Murders in the Building

Steve Martin, Martin Short, and Selena Gomez make for a delightful trio of true-crime-obsessed podcast fans who, in season 1 of this original Hulu series, decide to join forces and create their own podcast while attempting to solve the mysterious death of a fellow resident of their Manhattan apartment building. From the very beginning of their odd alliance, it’s been clear that all is not what it seems, and everyone is keeping secrets. Now they’ve upped the ante on guest stars, too; the third season sees Paul Rudd and Meryl Streep join in the fun.

Pam & Tommy

Lily James and Sebastian Stan are practically unrecognizable—and seem to be having the time of their lives—as they let their inner hedonists out to portray Pamela Anderson and Tommy Lee, one of the most famous couples (and tabloid staples) of the ’90s. What emerges is the portrait of two people who, like the rest of us, are simply doing their best to balance their personal and professional lives. Unlike the rest of us, this pair is forced to do that in the blinding light of paparazzi cameras tracking their every move. It’s nothing groundbreaking or revelatory, but for people who lived through the Pam and Tommy years, it’s a fun bit of nostalgia.

The Patient

Steve Carell plays against type—or is at least nothing like The Office’s Michael Scott—in this psychological thriller from Joel Fields and The Americans creator Joe Weisberg. Carell is Alan Strauss, a therapist being held captive by his patient (Domhnall Gleeson), who cops to being a serial killer and desperately wants Strauss to “cure” his desire to ،. The series plays out like one big-bottle episode; much of the action occurs in a single room, with Carell and Gleeson speaking only to each other—each trying to determine his best next move.

Pen15

Mining the awkwardness of one’s middle school years is hardly a new comedy concept. But being in your early thirties and playing yourself as a junior high school student and then surrounding yourself with age-appropriate actors who are actually going through that hellish rite of passage brings a whole new layer of cringe and humor. This is exactly what cocreators/stars Maya Erskine and Anna Konkle did for Pen15.

Under the Banner of Heaven

Murder and Mormonism collide in this true crime drama when detective Jeb Pyre (Andrew Garfield) is sent to investigate the ، of a woman (Daisy Edgar-Jones) and her baby near Salt Lake City. While trying to solve the crime, Pyre learns some troubling information about the most devoted members of the LDS church that forces him to reckon with his faith.

In 2017, Hulu made television history by becoming the first streaming network to win the Outstanding Drama Series Emmy, thanks to the phenomenon that is The Handmaid’s Tale. While that painfully prescient adaptation of Margaret Atwood’s 1985 dystopian novel remains one of the best TV shows to watch on Hulu, it also set a bar for quality entertainment that the network has continued to match—and sometimes exceed—with original series like The Bear, The Great, and Only Murders in the Building.

While Netflix has largely cornered the streaming market on original movies, and even managed to convince A-listers like Guillermo del Toro, Alfonso Cuarón, and Martin Scorsese to come aboard, Hulu is starting to find its footing in features too. Below are some of our top picks for the best movies (original and otherwise) streaming on Hulu right now.

Still looking for more great titles to add to your queue? Check out WIRED’s guides to the best movies on Netflix, the best movies on Disney+, and the best movies on Amazon Prime. Don’t like our picks, or want to offer suggestions of your own? Head to the comments below.

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Elf

While each year brings at least one new Christmas movie to the world, it’s rare that one becomes an instant holiday classic. Elf is the exception. Buddy the Elf (Will Ferrell) leaves the comforts of Santa’s workshop and the North Pole to travel to New York City to meet his biological father (James Caan), who is nothing like his son. But Buddy’s wonder at the world and love of syrup on everything are infectious—to those around him and audiences.

National Lampoon’s Christmas Vacation

Nobody’s walking out on this hilariously flawed family Christmas—and who would want to? Clark Griswold (Chevy Chase) has created an entire franchise out of making big plans for his entire family that ultimately go awry. His old-fashioned Christmas, complete with all the in-laws staying under one roof and a tree plucked straight from the ground, is a disaster from the get-go, which is part of what makes this dysfunctional family comedy a staple of holiday movie marathons everywhere.

The Last Duel

Jodie Comer is mesmerizing (as usual) as Marguerite de Carrouges—a woman who risks her own life in order to speak out after being viciously ، by Jacques Le Gris (Adam Driver), a respected squire and knight and a close friend of her husband, Jean de Carrouges (Matt Damon). More than just a tale of he said/she said, the film explores the role women played during the late Middle Ages and the courage it took for Marguerite to stand up for herself, a decision that led to one of France’s last court-sanctioned trials by combat.

Nocebo

Christine (Eva Green) is a children’s fashion designer suffering from a debilitating, but undiagnosed, illness following a tick bite. She finds relief, in many forms, with the arrival of Diana (Chai Fonacier), a nanny and housekeeper who happens to possess healing gifts. Christine’s husband Felix (Mark Strong) is suspicious of Diana’s all-too-helpful demeanor, and it turns out he has every right to be. While this film operates as social commentary on the fashion industry, Nocebo is more effective as a creepy psychological thriller filled with the kind of uncomfortable close-ups that make the viewer feel the walls closing in.

Shaun of the Dead

While Shaun (Simon Pegg), a floundering Londoner who has just been dumped by his girlfriend, is busy licking his wounds with his ،-dealing pal Ed (Nick Frost) at their local pub, zombies are slowly taking over the city. When the pair finally notice what’s happening right behind their backs, they realize they just might be the only two people who can stop the undead from continuing to rise. The first film in Edgar Wright’s Three Flavors Cornetto trilogy is the rare horror-comedy that knows how to be both laugh-out-loud funny and totally horrific, sometimes at the very same time.

No One Will Save You

Home invasion thrillers are never in short supply, but the really effective ones are hard to come by. Kaitlyn Dever shines—and proves yet again that she can shoulder the weight of an entire film—as Brynn Adams, a seamstress living a solitary existence in her childhood home and mourning the loss of her mother and closest friend. When she wakes up one night to discover that someone is in her house, that someone turns out to be something. A home invasion thriller with extraterrestrials might not have been on your must-watch Bingo card, but No One Will Save You is 93 minutes well spent.

Miguel Wants to Fight

Miguel (Tyler Dean Flores) is 17 years old and has never been in a fight. So when he learns that he’ll be moving away from the place and people he has known all his life, he enlists his pals to help him get into his first fistfight. It’s probably not the first coming-of-age ritual to spring to mind, but it’s certainly among them. A talented cast of young actors make this comedy—cowritten by Shea Serrano and Jason Concepcion—immensely watchable.

Bad Axe

David Siev paints a deeply personal portrait of the American Dream disrupted as he traces his family’s journey from the Killing Fields of Cambodia to the tiny—and overwhelmingly white—town of Bad Axe, Michigan. Shot in real time, this moving documentary shows the challenges facing Siev’s family, and the restaurant they own, amid political tension and anti-Asian sentiment during the Covid-19 pandemic.

Sanctuary

Hal Porterfield (Christopher Abbott) has just been handed the keys to the castle following the death of his hotel magnate father. Rebecca Marin (Margaret Qualley) is a ، who believes she deserves some of the credit—and half the cash—that comes with Hal’s new CEO position. Sexual politics have rarely played out as twisted, or darkly funny, as they do in this mesmerizing, and often claustrophobic, thriller from Zachary Wigon.

Corsage

Vicky Krieps delivers yet another top-notch performance as Empress Elisabeth of Austria, who—following her 40th birthday—longs to recapture the freedom of her youth. Marie Kreutzer writes and directs this fictional biopic (Empress Elisabeth is real, though the story told within takes plenty of creative liberties), which sees the royal rebelling against her lack of power to affect any real change, despite her title. Even more so, it’s about a woman who is desperate to hold on to the power that youth and beauty entitle her to—regardless of the consequences.

Talladega Nights: The Ballad of Ricky Bobby

Two years before Step Brothers changed the game for quotable comedies, Will Ferrell and John C. Reilly were shaking and baking as best friends/Nascar teammates who cannot be stopped … until success gets to their heads. You probably know the basic direction in which the story is headed: The best buds have a falling out, there’s a shared nemesis (Sacha Baron Cohen), and they eventually make their way back to each other to defeat said villain. But with Ferrell and Reilly going head-to-head, it doesn’t matter if the plotline is predictable. You’ll laugh all the same. Help me, Tom Cruise!

How to Blow Up a Pipeline

Environmentalism meets heist movie in director Daniel Goldhaber’s thriller about a group of young people who try to—as the title implies—expose the fragility of the oil industry. It’s not often that a movie examining the fight against the climate crisis is also an edge-of-your-seat adventure, but here those elements come together beautifully. (You can give cinematographer Tehillah de Castro a bit of credit for that.) Smart, prescient, and nearly unprecedented, How to Blow Up a Pipeline is more than worth the stream.

The Jewel Thief

Like Frank Abagnale (the subject of Steven Spielberg’s Catch Me If You Can) before him, Gerald Blanchard is a criminal mastermind whose sheer audacity is worthy of a Hollywood retelling. Yet the real-life Blanchard is so endlessly captivating and unafraid to share the most intimate details of his capers that it’s best to let him do the talking—which is exactly what he does in this fascinating documentary, in which even the people he duped and the authorities who pursued him seem a bit in awe of his bravado. What else would you expect from a man who allegedly parachuted onto the roof of Vienna’s Schönbrunn Palace in order to break in and make off with the Star of Empress Sisi, a priceless jewel that once belonged to Empress Elisabeth of Austria? (Yes, the very same woman Vicky Krieps portrays in the aforementioned Corsage.)

Vesper

While the words “postapocalyptic drama” often draw groans from viewers who have tired of the trope, this one is different (yes, we know, you’ve heard that before, too). Vesper (Raffiella Chapman) is a 13-year-old with some pretty serious biohacking skills, which is particularly handy given that she and her father (Richard Brake) are attempting to survive in a world where Earth’s ecosystem is now nonexistent. Making it more of a challenge is that it’s impossible to know who to trust when even Vesper’s uncle (the always-captivating Eddie Marsan) is only looking out for himself. In addition to stellar acting, it’s a visually impressive sci-fi fairytale that plays a bit like a mash-up between Children of Men and Pan’s Labyrinth.

Alien

Alien was originally released in 1979, but it has lost none of its potency in the intervening years—which isn’t something most fortysomethings could say. By now you probably know the story: The crew aboard the spacecraft Nostromo, including warrant officer Ellen Ripley (Sigourney Weaver), put a presumably slight pause on their trip back to Earth in order to respond to a distress call from a nearby planetoid. But what they discover is a bizarre alien life form that seems to delight in knocking off crew members in new—and frequently terrifying—ways. Can you say Facehugger? Or Chestburster? Alien is also noteworthy for being the film that kicked off a bona fide, and legendary, sci-fi/horror franchise—and introduced the world to Ridley Scott, who changed the genre game yet again with his next feature, Blade Runner.

Die Hard

Is Die Hard a Christmas movie? Who cares—it’s pure action-movie perfection. NYPD detective John McClane heads to Los Angeles to spend the holidays with his estranged wife and kids but instead finds himself in the middle of an office party turned hostage situation. Hey, it happens. With one “Yippee-ki-yay, ،!” Bruce Willis was instantly transformed from comedic TV star to ’80s action hero. If one Die Hard isn’t enough, Hulu also has Die Hard 2: Die Harder (which is really the best of the sequels), Die Hard With a Vengeance, Live Free or Die Hard, and A Good Day to Die Hard in its library.

Flamin’ Hot

Also available on Disney+, Flamin’ Hot tells the story of Richard Montañez (Jesse Garcia), the Frito-Lay janitor who brought Flamin’ Hot Cheetos to the masses. Directed by Eva Longoria, the movie might come off as a little cheesy at times, but its comedy and heart transform it into something more than just a story about a beloved snack.

Rye Lane

Raine Allen-Miller made a splash at Sundance with her directorial debut, which offers a playful twist on the typical rom-com. Yas (Vivian Oparah) and Dom (David Jonsson) are both twentysomethings reeling from recent break-ups. After a chance—and rather awkward—first meeting, the pair spend a day wandering around South London, bonding over their shared experience, finding cheeky ways to get over the mourning of their previous relationships, and maybe discovering that romance is not dead after all.

Clock

From Rosemary’s Baby to Hereditary, motherhood has long served as the catalyst for some of the horror genre’s scariest flicks. In the case of Clock, it’s the lack of desire to procreate that gets the terror treatment. Ella (Dianna Agron) is a happily married interior designer who is perfectly content with her life and has no desire to add a child to it. But that doesn’t sit well with her friends and family, who keep pressuring her to procreate. So she signs up to take part in a clinical trial for women like herself—whose so-called biological clocks are either broken or nonexistent. This is where things really get scary. Fair warning: Clock gets pretty dark and weird, and it is firmly cemented in the horror genre. But it also plays like a satire of the American Dream and its obsession with family.

Triangle of Sadness

Think of it like Gilligan’s Island, but with more class commentary and ،. When a bunch of rich people head out to sea on a luxury yacht, their plans are thwarted when a terrible storm leaves many of them stranded on a beach where none of their money or power can help them survive. That already gives away too much, but suffice to say, if you like Menu-esque critiques of the excesses of wealth with just as many dark-comedy twists, this Oscar-nominated film is right for you.

Portrait of a Lady on Fire

OK, so this might be the movie that turned the idea of “، period drama” into a trope, but it’s also one of the best modern ، romance films around, alongside Moonlight and Carol. Set on an isolated French coast in the late-1700s, writer-director Céline Sciamma’s film centers on a young aristocrat woman, Héloïse (Adèle Haenel), who is betrothed to a wealthy Milanese man. When Héloïse’s mother hires Mariane (Noémie Merlant) to paint a portrait of her daughter, the two women fall in love and have the kind of heartbreaking affair that made ، period dramas so undeniable in the first place. You’ll be transfixed.

Spencer

Look, there are probably far too many Princess Diana movies and TV shows already. But this one, directed by Pablo Larraín and starring Kristen Stewart as the Princess of Wales, focuses on one specific Christmas at Queen Elizabeth’s Sandringham Estate in a way that narrows down just how complex each day Diana’s life with the royal family must have been. Yes, the backdrop is the divorce rumors surrounding Diana and Prince Charles (Jack Farthing), but the story is about her relationships within the family and the life she left behind to join them.

Nomadland

This film from director Chloé Zhao, about one woman’s post–Great Recession quest through the American West, won a ton of Oscars, including Best Picture, Best Actress for lead Frances McDormand, and Best Director and Best Editing wins for Zhao. Zhao also won for Best Adapted Screenplay for her adaptation of WIRED contributor Jessica Bruder’s book, also called Nomadland. It’s a bracing look at the modern American dream.

Boston Strangler

If you’re the kind of viewer who just can’t get enough of ، shows and has been looking for a ، movie, might we suggest Boston Strangler? Based on the real-life serial killer of the same monicker, writer-director Matt Ruskin’s “reimagining” of the 1968 movie focuses on the two reporters—Loretta McLaughlin (Keira Knightley) and Jean Cole (Carrie Coon)—who uncovered the news about the Strangler’s string of killings in the 1960s and broke the story. If nothing else, it’s worth watching just to see what happens when a Bostonian director refuses to let his predominantly non-Bostonian cast imitate the city’s notoriously difficult accent.

Fresh

Noa (Daisy Edgar-Jones) is a single woman who is on the lookout for a partner but tired of the online dating scene. When she meets Steve (Sebastian Stan), a quirky, handsome stranger, she decides to give him her number. The two hit it off on the first date and eventually find themselves making plans to spend a weekend away—which is when Noa realizes that Steve has been hiding a few disturbing details about himself. Ultimately, Fresh stands as a lesson in the horrors of dating in the digital age (both real and imagined).

Good Luck to You, Leo Grande

Two years after the death of her husband, retired religion teacher Nancy Stokes (Emma Thompson) decides it’s time to do something about the fact that she has never had an ،. So she hires Leo Grande (Daryl McCormack), a young male ، worker, and invites him to a hotel room so she can cross a few items off her ، bucket list. What begins as a transactional relationship quickly, and genuinely, evolves into much more.

Palm Springs

Given the existence of Harold Ramis’ near-perfect Groundhog Day, it takes a whole lot of chutzpah for a filmmaker to add another picture to the infinite-time-loop rom-com canon. But writer-director Max Barbakow did it anyway with Palm Springs, and audiences are thankful he did. Building upon the rules originally established in Groundhog Day, Palm Springs offers its own unique twist on the story. Instead of showing one person (Billy Murray’s Phil Conners) slowly being pushed to the brink of insanity because he’s the only one who seems to be experiencing the phenomenon, Palm Springs has three wedding guests—Nyles (Andy Samberg), Sarah (Cristin Milioti), and Roy (J. K. Simmons)—living the same day again and again and working together to find a way out of it.